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提香的绘画技法

Titian's technique | National Gallery

To work for ten years at this point
作为一个艺术家
as an artist for a patron who’s going to be paying you
你持续为赞助人创作十年
and to be able to do whatever you like
只要你在创作 赞助人就会给你资助
as long as you’re delivering something,
让你创作自己喜欢的作品
that is remarkable and that means that
这是很了不起的事情
this becomes a catalyst for Titian
对提香意味着一种激励
he has sort of a resurgence of creativity in this period.
他这一时期的创作有某种程度的复兴
安迪•潘克赫斯特 艺术家
He started with his canvases
从画布开始
he prepared them with a simple white gesso ground
他用简单的白石膏粉起草
he didn’t use coloured grounds.
不用有颜色的粉末
This is really the normal size painting brush
这就是一个正常尺寸的画笔
which you can imagine Titian using, similar to.
你可以想象 提香使用的也差不多
The reason why you’ve got it long you want to hold it
笔握得长的原因是你要控笔
so you can actually make marks
这样才能做标记
and when you’re actually painting you can actually see the whole canvas.
并且作画时 你能看到整个画布
When you get kind of close, it’s all a blur but when you’re further away
当你凑近 一切都模糊不清 但当你离远点
the actual drawing, the shape making comes together
实际画面和造型便一览无余
and actually creates the form.
形状也就被勾勒出来
He was very lucky
他非常幸运
because Venice was the centre of the pigment trade
因为威尼斯过去是颜料贸易中心
and he could choose the very best materials, these rich and colourful ones.
他可以选择最好的 丰富多彩的颜料
What I’ve got here is actually a proper lead white which you can’t get anymore.
这里我用的是一种特有的绝版铅白
Titian would have used the lead cremnitz white.
提香用的应该是纯铅白
Venice was a centre for making lead white
威尼斯是制作铅白的集中地
and so he was able to get very good lead white
因此提香能得到非常优质的铅白
and it’s a critical pigment for his technique.
这对他的技法来说是一种关键颜料
The red that Titian would have used would be vermillion red.
提香用的红色应该是朱红
The vermillion red is because that’s got mercury in it.
这种朱红显色是因为添加了水银
For Titian the execution on the surface, on the canvas
对提香来说 在画布上
is the content
对表面的处理就是作画内容
The way he starts opening up his forms, the way he starts painting
他展现的创作形式 作画的方式
even more atmospherically than he had previously.
甚至比先前更具冲击力
His approach to gestural brushwork,
他对控笔手势的处理
his approach to layering of colour,
他对色彩层次的处理
and his use of that to tell stories
还有讲述故事的方式
with not just narrative precision
不仅在叙事上
but emotional and psychological precision.
在情感和心理上都十分精准
You can imagine Titian doing that
你可以想象提香作画的场景
and when you’re involved with a picture and you become so lost within it.
也可以想象你在作画 想象你沉浸在这场景之中
Titian is the great precursor of our
对于现代自我表达绘画理念来说
modern day idea of painting a self-expression.
提香是一位伟大的先驱者
From a point of view of technique,
从技法的角度来看
the most remarkable thing about the ‘poesie’ is how varied they are,
“诗歌系列”最突出的是它们的多元性
how varied Titian’s approach is to their creation.
是提香在创作它们时技法的多元性
Again it’s fundamental to remember
最基本的是记住
that they are abstract and again it’s not about painting every single thing in.
这些都是抽象的而不是画出每一个细节
He’s getting to an essence as your brain fills the rest in,
他只捕捉精髓而你的大脑会自动填补其余部分
again which you could say is a modern idea.
而这又可以说是一个超前观念
He’s doing something new in painting
他在绘画中创新
that is so radical that you can’t really
非常激进 以至于这之后没法
think about painting the same way after this.
以同种方式思考绘画
He’s painting the future.
他描绘的是未来
国家美术馆

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视频概述

介绍了威尼斯画派的代表人物提香独特的绘画技法

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视频来源

https://www.youtube.com/watch?v=zUdpasSb5EI

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